C. V.
JIM CAMPBELL
Born in Chicago in 1956. Lives and works in San Francisco.
Education: Massachusetts Institute of Technology
B.S. Electrical Engineering, 1978 B.S. Mathematics, 1978
Contents:
Solo Exhibitions
Group Exhibitions
Public Collections
Commissions
Selected Professional Activities & Awards
SOLO EXHIBITIONS
2019 Jim Campbell: Closer to Nothing, Hosfelt Gallery, San Francisco, CA
Jim Campbell: Anderson Collection at Stanford University, Stanford, CA
2018 Jim Campbell: Tilted Plane, San Francisco Museum of Modern Art, San Francisco, CA
2017 Jim Campbell: Far Away Up Close, Hosfelt Gallery, San Francisco, CA
Jim Campbell: Abstract Document, Bryce Wolkowitz Gallery, New York, NY
2015 Jim Campbell: Accumulating Psycho, Chronus Art Center, Shanghai, China
Jim Campbell: Ritmos de luz, Espacio Fundación Telefónica Madrid, Spain*
2014 Indirect Imaging, Dundee Contemporary Arts, Dundee, Scotland
Light Matter - The Jim Campbell Experience 1990 - 2014, Run Run Shaw Creative Media Centre, City University of Hong Kong, Hong Kong
Jim Campbell: Scattered Light, Edinburgh Place, City University of Hong Kong, Hong Kong
Jim Campbell: Eternal Recurrence, International Commerce Centre, City University of Hong Kong, Hong Kong
Jim Campbell: New Work, Hosfelt Gallery, San Francisco, CA
Jim Campbell: Rhythms of Perception, Museum of the Moving Image, Astoria, NY
Jim Campbell: New Work, Bryce Wolkowitz Gallery, New York, NY
2013 Jim Campbell: At The Threshold, Samek Art Gallery, Bucknell University, Lewisburg, PA
2011 Jim Campbell: Exploded View, Museum of the Moving Image, Astoria, NY
Jim Campbell: Static Time, 20 Years of Electronic Art, Espacio Fundación Telefonica, Buenos Aires, Argentina
Scattered Light, Upper Landing Park, St. Paul, MN, in conjunction with the Minnesota Museum of American Art and Northern Spark Festival
Jim Campbell: Recent Work, Howard Yezerski Gallery, Boston, MA
Jim Campbell - Material Light, National Museum of Photography, Copenhagen, Denmark
Jim Campbell: 4 Works, Hosfelt Gallery, New York
2010 Jim Campbell: In the Repose of Memory, Eleanor D. Wilson Museum & Roanoke College Galleries, VA (dual exhibition)
Jim Campbell: New Work, Bryce Wolkowitz Gallery, New York*
Jim Campbell, Hosfelt Gallery, San Francisco
2008 Jim Campbell: Home Movies, Berkeley Art Museum
2007 Home Movies, Hosfelt Gallery, San Francisco
Quantizing Effects, Museum of Glass, Tacoma*
2006 4300 Watts, Hosfelt Gallery, New York
Jim Campbell, College of Wooster Art Museum, Wooster, OH
Quantizing Effects, Beall Center for Art and Technology, Irvine, CA; Knoxville Museum of Art, TN*
2005 Ambiguous Icons, The Center for Photography at Woodstock
Jim Campbell: New Work, Byron Cohen Gallery, Kansas City, MO
Material Light, Bryce Wolkowitz Gallery, New York
New Work, Hosfelt Gallery, San Francisco
Quantizing Effects, Site Santa Fe*
2004 Jim Campbell, Palo Alto Art Center*
Wavelengths, American Museum of the Moving Image, New York
Maryland Institute of Contemporary Art
2003 Jim Campbell, University of South Florida Contemporary art Museum, Tampa
Memory Array, Berkeley Art Museum
Seeing, Exploratorium, San Francisco
2002 Data and Time, Nagoya City Art Museum
Digital Works, Hosfelt Gallery, San Francisco
Jim Campbell, Gallery 2211, Los Angeles
Motion and Rest, Arizona State University, Tempe
2001 Contemporary Configurations, Museum of Art and History, Santa Cruz, CA
Jim Campbell: Time and Data, Wood Street Galleries, Pittsburgh*
Time, Memory and Meditation, Anderson Gallery, Virginia Commonwealth University, Richmond
2000 Cohen Berkowitz Gallery, Kansas City, MO
Hosfelt Gallery, San Francisco
Yerba Buena Center for the Arts, San Francisco
1999 Transforming Time: Electronic Works 1990-1999, Nelson Art Museum, Arizona State University, Tempe*
1998 Reactive Works, San Jose Museum of Art San Jose
1997 Digital Watch, Kemper Museum, Kansas City, MO
Reactive Works, Art Center College of Design, Pasadena
1996 Electronic Art, Cohen Berkowitz Gallery, Kansas City, MO
1995 Dialogue, Rena Branstein Gallery, San Francisco
1994 Hallucination, Southeastern Center for Contemporary Art, Salem, NC
1992 Electronic Art, Rena Bransten Gallery, San Francisco
1991 Hallucination, Fresno Art Museum
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GROUP EXHIBITIONS
2019 DATAFORM: Daniel Canogar, Jim Campbell, and Yorgo Alexopoulos, Moss Arts Center, Virginia Tech, Blacksburg, VA
Artefact 2019, Stuk Arts Center, Leuven, Belgium
2018 Programmed: Rules, Codes, and Choreographies in Art, 1965-2018, Whitney Museum of American Art, New York, NY
Jim Campbell & Zhang Peili, The Flickering Uncertain, Chronus Art Center, Shanghai, China
You Are Here: Light, Color, and Sound Experiences, North Carolina Museum of Art, Raleigh, NC
New Media, New Millennium: Digital Art from the Thoma Foundation, Hunter Museum of American Art, Chattanooga, TN
Pushing Buttons, UrbanGlass, Brooklyn, NY
2017 Dominion, New Media Gallery, New Westminster, BC, Canada
ELEMENTAL; Marking Time, Sturt Haaga Gallery at Descanso Gardens, La Canada Flintridge, CA
Detritus, San Jose Institute of Contemporary Art, San Jose, CA
Garage Inventors, Hosfelt Gallery, San Francisco, CA
Virtual Views, Knoxville Museum of Art, Knoxville, TN
2016 Moving Image: Landscape, University of Michigan Museum of Art, Ann Arbor, MI
ReVisiones: albumes, promesas y memorias, VISIONA, Diputacion de Huesca, Huesca, Spain
Home Cinema, OCT Art and Design Gallery, Shenzhen, China
Uncertainty, Alyce de Roulet Williamson Gallery, ArtCenter College of Design, Pasadena, CA
CODE and NOISE, Arena 1, Santa Monica, CA. Curated by Christine Duval
20th Anniversary Exhibition, Hosfelt Gallery, San Francisco, CA
Home Cinema, Daegu Art Museum, Daegu, South Korea
CODE and NOISE, El Museo Cultural de Santa Fe, Santa Fe, NM. Curated by Christine Duval and part of Currents 2016, The Santa Fe International New Media Festival
The Campaign for Art: Contemporary, San Francisco Museum of Modern Art, San Francisco, CA
Light Show International Tour, CorpArtes, Santiago, Chile. Organized by the Hayward Gallery, London, England
Home Cinema, Gare Saint Sauveur, Lille, France
Particle and Wave, Hosfelt Gallery, San Francisco, CA
2015 Jim Campbell: New Work & Collaborations with Jane Rosen, San Jose Institute of Contemporary Art, San Jose, CA
Walkers: Hollywood Afterlives in Art and Artifact, Museum of the Moving Image, Astoria, NY
NEAT: New Experiments in Art and Technology, Contemporary Jewish Museum, San Francisco, CA
Light Show International Tour, Sharjah Art Foundation, Sharjah, United Arab Emirates. Organized by the Hayward Gallery, London, England
Invento: As Revolucoes que nos Inventaram, OCA Museum, Sao Paulo, Brazil. Curated by Marcello Dantas
By This River, Curated by Michael Solway, Weston Art Gallery, Cincinnati, OH
All (is) Vanity, Seoul Museum, Seoul, Korea
Watch This! Revelations in Media Art, Smithsonian American Art Museum, Washington D.C.
Light Show International Tour, Museum of Contemporary Art Australia, Sydney, Australia. Organized by the Hayward Gallery, London, England
Home Cinema, Exit Festival, Maubeuge, France
How to Construct a Time Machine, MK Gallery, Milton Keynes, England*
RAM: Rethinking Art & Machine, Art Gallery of Nova Scotia, Halifax, NS, Canada
2014 Biometric, New Media Gallery, New Westminster, BC, Canada
Relics, San Jose Institute of Contemporary Art, San Jose, CA
Light Show International Tour, Auckland Art Gallery Toi o Tamaki, Auckland, New Zealand. Organized by the Hayward Gallery, London, England
Sleuthing the Mind, Pratt Manhattan Gallery, New York, NY
Hybrid Art 2014, Optical Pavilion at VDNKH, Moscow, Russia
Family Matters: Living and representing today's family, Centro di Cultura Contemporanea Strozzina, Palazzo Strozzi, Florence, Italy
Dirge: Reflections on [Life and] Death, MOCA Cleveland, Cleveland, OH
Presentism: Light as Material, Young Projects, Los Angeles, CA
2013 Of Walking, Museum of Contemporary Photography, Chicago, IL
Tilted Plane, Hosfelt Gallery, San Francisco, CA
Art and Optics: The Speed of Communication, Espacio Fundación Telefonica, Lima, Peru
Transposition: Motion is Action, National Art Museum of China, Beijing, China
0 to 60: The Experience of Time through Contemporary Art, North Carolina Museum of Art and Penland School of Crafts, Raleigh, NC*
On Time/ Grand Central at 100, New York Transit Museum Gallery, New York, NY
Perth International Arts Festival, University of Western Australia, Perth, Australia
LUMINOUSFLUX:light works, Lawrence Wilson Art Gallery, The University of Western Australia, Perth, Australia
Light Show, Hayward Gallery, London, England*
2012 In Search of Time, Eli and Edythe Broad Art Museum, East Lansing, MI
Screen Obscura, Hosfelt Gallery, San Francisco, CA
The Transformative Surface, University of New Mexico Art Museum, Albuquerque, NM
Look Both Ways, Hosfelt Gallery, San Francisco, CA
Rorschach, Phillips de Pury & Company, New York, NY
Solway Gallery 50th Anniversary, Cincinnati, OH
Emoção Art.Ficial 6.0 Media Art Biennial, Itaú Cultural, São Paulo, Brazil
Work by Newly Elected Members & Recipients of Honors & Awards, American Academy of Arts & Letters, New York, NY
Marking Time, Museum of Contemporary Art, Sydney, Australia*
Invitational Exhibition of Visual Arts, American Academy of Arts & Letters, New York, NY
SmartSpace, Fine Arts Gallery, San Francisco State University, San Francisco, CA
Visions Fugitives, Le Fresnoy - Studio national des arts contemporains, Tourcoing, France
Fifty Years of Bay Area Art: The SECA Awards, San Francisco Museum of Modern Art, San Francisco, CA*
Selected Histories 20th Century Art from the SFMOMA Collection, San Francisco Museum of Modern Art, San Francisco, CA
Marking Time, Museum of Contemporary Art, Sydney, Australia
2011 Jim Campbell & David Rokeby, Pari Nadimi Gallery, Toronto, Canada
Re-writing Worlds: The Fourth Moscow Biennale of Contemporary Art, Moscow, Russia
Transitio MX: International Electronic Art and Video Festival, Mexico City, Mexico
Keeping an Eye on Surveillance, The Performance Art Institute, San Francisco, CA
Walking + Falling: Jim Campbell, Chris Marker, & Eadweard Muybridge, Vancouver Art Gallery, Vancouver, Canada
At Fifty: Krannert Art Museum, 1961-2011, Krannert Art Museum, University of Illinois, Champaign, IL
Time Flies, Hosfelt Gallery, San Francisco, CA
Red (Force Fields), David Richard Contemporary, Santa Fe, NM
Artist+Artist, Rohde Contemporary, Copenhagen, Denmark
America: Now + Here, ANH Inc., americanowandhere.org (touring exhibition)
RAM: Rethinking Art and Machine, THEMUSEUM, Kitchener, ON Canada
Broodwork: It's About Time, OTIS College of Art and Design, Los Angeles, CA
Paradise Lost, Istanbul Museum of Modern Art, Istanbul, Turkey
Blink! Light, Sound and the Moving Image, Denver Art Museum, Denver, CO
2010 Material Evidence, Beach Museum, Kansas State University, Manhattan, KS
Outer/Inner, Wood Street Galleries, Pittsburgh
Shadow Dance, Kunsthal KAde, Amersfoort, Netherlands
Unexpected Reflections, Meridian Gallery, San Francisco
Wall Drawings, Hosfelt Gallery, San Francisco
Watch This, Smithsonian Museum of American Art, Washington D.C.
2009 Altered States, di Rosa Preserve, Napa, CA
Art & Electronic Media, Bitforms Gallery, New York
Artifacts of a Postdigital Age, STRP Festival, KIOSK Gallery, Eindhoven
Balance and Power: Performance and Surveillance in Video Art, Museum of Contemporary Art, Jacksonville, FL
Das Jahrhundert des Konsumenten, ZKM, Karlsruhe
Human Copyright, Musee de la Civilisation, Quebec City
Inappropriate Covers, Bell Gallery, Brown University, Providence, RI
Incheon Digital Arts Festival (INDAF) 2009, Incheon Global Fair and Festival
Le Mois de la Photo à Montréal: Pavel Pavlov et Jim Campbell, SBC Gallery, Montreal*
Likeness, Mattress Factory, Pittsburgh
New Work, Hosfelt Gallery, New York
Seeing as Believing, Axis Gallery, Sacramento
Tech Tools of the Trade, de Saisset Museum, Santa Clara University, CA
Texting the Torah, Contemporary Jewish Museum, San Francisco
Textual Landscapes, Bryce Wolkowitz Gallery, New York
2008 01SJ Biennial, San Jose Museum of Art, San Jose
Art+Communication:Spectropia, RIXC, Riga*
Art Taipei 2008-Art Tech, National Taiwan Museum
ArteFact Capturing Time-Mapping the Moment, STUK, Leuven*
Balance and Power: Performance and Surveillance in Video Art, Paul and Lulu Hilliard University Art Museum, University of Louisiana, Lafayette*
California Video, J. Paul Getty Museum, Los Angeles*
Living Room, National Gallery of Canada, Ottawa
New Frontier, 2008 Sundance Film Festival, Park City, UT
Phantasmagoria, Salina Art Center, Salina, KS; Fisher Museum of Art, Los Angeles; Ringling Museum of Art, Sarasota, FL; McColl Center for Visual Art, Charlotte, NC*
Text Memory,Wood Street Galleries, Pittsburgh
Twilight, ICA Maine College of Art, Portland
2007 A History of New, Krannert Art Museum, Champaign, IL
ArteFact, STUK Arts Centre, Leuven*
AXIOM Gallery/Aspect Magazine Exhibition, Boston Cyberarts Festival
Closed Circuit, Video and New Media at the Metropolitan, The Metropolitan Museum of Art, New York
E-Art: New Technologies and Contemporary Art; 10 Years of Action of the Daniel Langlois Foundation, Montreal Museum of Fine Arts
Home Sweet Home, San Jose Institute of Contemporary Art
Luminaries and Visionaries, Kinetica Museum, London
Mouth Open Teeth Showing, Henry Art Gallery, University of Washington, Seattle
Outside The Box, Cornerhouse Gallery, Manchester, UK
Phantasmagoria, The Contemporary Museum, Honolulu; Biblioteca Luis Angel Arango, Bogota
Speed3, Instituto Valenciano de Arte Moderno (IVAM), Valencia
2006 Art Koln, Cologne, Germany
Auflosung I High Definition, Neue Gesellschaft für Bildende Kunst (NGBK), Berlin*
Auflosung II Rausch/en / Signal Noise, Neue Gesellschaft für Bildende Kunst (NGBK), Berlin*
City Gaze (Die Stadt hat Augen), "Spots" Light- and Media Façade, Berlin
Crossing the Screen, inter media art institute (IMAI), Dusseldorf
Balance and Power: Performance and Surveillance in Video Art, Rose Art Museum, Brandeis University, Waltham,MA
DANM Festival, Museum of Art and History, University of California, Santa Cruz
Edge Conditions, San Jose Museum of Art
The First Illusion: The Transitional Object, Palo Alto Art Center
Icons, Krannert Art Museum, Champaign, IL
Inaugural Exhibition, Hosfelt Gallery, New York
The Infrastructural Image: Recent Bay Area Video, Film, and New Media Art on the City, Vancouver International Film Center
Locating the Photographic, Tasmanian School of Art, Hobart, Australia
Measure of Time, Berkeley Art Museum
The Message is the Medium, Jim Kempner Fine Art, New York
Mixed Media Project, Count Down, Milan
Smart Art / Liet Motiff, European Media Art Festival (EMAF), Osnabrueck, Germany*
What Sound Does a Color Make?, Center for the Visual Arts, Denver; Govett-Brewster Gallery, New Plymouth, New Zealand; Center for Art and Visual Culture, Baltimore*
2005 Art Koln, 235 Media, Koln, Germany
AxS: At the Intersection of Art & Science, Cal Tech and The Armory Center, Pasadena
Balance and Power: Performance and Surveillance in Video Art, Krannert Art Museum, Champaign, IL
Climax: The Highlight of Ars Electronica, National Taiwan Museum of Fine Arts*
Exquisite Electric, Grand Central Art Center, California State University Fullerton, Santa Anna
Intelligent Distribution: 10 Artists Respond to Technology, University Art Gallery at Sonoma State University, Rohnert Park, CA
Mois Multi 2006, Les Productions Recto-Verso, Quebec City
Siggraph 2005, Los Angeles Convention Center
Singular Expression, Sheldon Memorial Art Gallery, Lincoln, NK*
Techno Sublime, University of Colorado Art Museum, Boulder*
What Sound Does a Color Make?,Wood Street Galleries, Pittsburgh; Eyebeam, New York*
2004 Algorithmic Revolution, ZKM, Karlsruhe
Gravity and Light, Skirball Cultural Center, Los Angeles
Image and Idea, Gallery C, Los Angeles
Lineaments of Gratified Desire, Catherine Clark Gallery, San Francisco
Memory, Salina Art Center, Salina, KS
The Passage of Mirage, Chelsea Art Museum, New York
Time, Space, Gravity and Light, Skirball Cultural Center, Los Angeles
2003 After Image,Wood Street Galleries, Pittsburgh
Art Apparatus, Bryce Wolkowitz Gallery, New York
Bytes and Pieces, San Jose Insitute of Contemporary Art
The Disembodied Spirit, Bowdoin College Museum of Art, Brunswick, ME; Kemper Museum of Contemporary Art, Kansas City, MO
House of the Tomorrow, Experimenta, Melbourne*
ID/ENTITY: Portraiture in the 21st Century, SF Camerawork, San Francisco
Microwave03 Festival, Kowloon, Hong Kong
Surface Tension, The Fabric Museum, Philadelphia
2002 Artficial Emotion, São Paolo, Brazil Busan Biennial, Busan Metropolitan Art Museum
Busan Biennial , Busan Metropolitan Museum of Art, South Korea
Future Cinema, ZKM, Karlsruhe; Kiasma Museum, Helsinki; and ICC, Tokyo*
High Tech / Low Tech Hybrids, Bedford Gallery, Walnut Creek, CA
Media Art, ZKM, Daejon Municipal Museum of Art, South Korea*
Situated Realities, Maryland Institute College of Art, Baltimore
Taipei Biennial, Taipei Fine Arts, Museum, Taiwan*
Walkways, Portland Institute of Contemporary Art, Portland, OR*
Whitney Biennial, Whitney Museum of American Art, New York*
2001 Bitstreams, Whitney Museum of American Art, New York
Conceptual Colors in Albers' After Image, San Francisco State University
Eureka Fellowship Show, San Diego Museum of Contemporary Art
Figuration, Hosfelt Gallery, San Francisco
Highlights Festival, Montreal
Interaction '01, Gifu, Japan*
Untitled, Gallery 2211, Los Angeles
2000 Ars Electronica, Linz, Austria*
Direct Current, Byron Cohen Gallery, Kansas City, MO
Eureka Fellowship Show, San Jose Museum of Art
Illuminations, Ackland Art Museum, Chapel Hill, NC
Plugged In, Todd Madigan Gallery, California State University, Bakersfield
Scanners, California College of Arts and Crafts, Oakland
Timekeepers, SF Camerawork, San Francisco
Vision Ruhr, Dortmund, Germany*
1999 The Body, Salina Art Center, Salina, KS
Digital Hybrids, McDonough Museum, Youngstown, OH*
Electronic Art, Weston Art Gallery, Cincinnati
Facing Fear, San Francisco Arts Commission Gallery
New Voices New Visions, University Art Gallery, University of California, San Diego
The Photographic Image, National Museum, Kwachon, South Korea
1998 Art & Technology, Duke University Museum, Durham, NC*
Bay Area Technology Art, Haines Gallery, San Francisco
Body Mecanique, Wexner Art Center, Columbus*
Digital Poetics, Sherry Frumkin Gallery, Los Angeles
1997 451 Degrees, San Francisco Arts Commission Gallery
Digital Decisions, Art Academy of Cincinnati, OH
ICC Bienalle, ICC Center, Tokyo*
Interaction '97, Gifu, Japan*
Meditations in Time, San Francisco Museum of Modern Art
Serious Games, Barbican Gallery, London*
1996 Creative Time-Art in the Anchorage, Brooklyn
Interactivity, Salina Art Center, Salina, KS
Mortal Coil, Sesnon Art Gallery University of California, Santa Cruz
Seca Awards Show, San Francisco Museum of Modern Art
Techne, San Francisco Arts Commission Gallery
Transformers, Auckland City Art Gallery*
1995 Art as Signal, Krannert Art Museum, University of Illinois, Champaign*
Biblio Vertigo, Northern Illinois University, DeKalb, IL*
Digital Mediations, Art Center College of Design, Pasaden
Hotel Interactional, Gallery Otso, Helsinki
Interaction '95: Dialogue with Media Art, Gifu, Japan*
ISEA 95, Montreal (Collaboration with Elliott Anderson) New York Digital Salon
New York Digital Salon, New York
Press/Enter, Power Plant, Toronto*
Techne, Los Angeles Center for Photographic Studies, Los Angeles
Unpredictable Memories, Capp Street Project, San Francisco; collaboration with Marie Navarre
1994 Color in the Shadows, California College of Arts and Crafts, Oakland
InterActive,Works Gallery, San Jose
ThreeVisions, Carpenter Center, Harvard University, Cambridge,MA
1993 A New Sensation, Seybold Conference, San Francisco
Iterations, International Center of Photography, New York*
1992 Facing the Finish, San Francisco Museum of Modern Art*
1991 Le Printemps de PRIM, Montreal
1990 Bay Area Media, San Francisco Museum of Modern Art Fifteenth Anniversary Show, New Langton Arts, San Francisco
Fifteenth Anniversary Show, New Langton Arts, San Francisco
Inner Tensions, Pro Arts Open Studio, Emeryville, CA
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PUBLIC COLLECTIONS
Arizona State University Art Museum, Tempe
Austin Museum of Art
Berkeley Art Museum
Blanton Museum of Art, Austin
Cincinnati Art Museum
Denver Art Museum
de Young Museum, San Francisco
Fisher Collection, San Francisco
Knoxville Museum of Art, Knoxville, Tennessee
Metropolitan Museum of Art, New York
Musée des beaux-arts de Montréal
Museum of Contemporary Art, San Diego
Museum of Modern Art, New York
Newark Museum
Collection of Phoenix Percent for Art Program
San Diego County Regional Airport Authority, San Diego International Airport
San Francisco Museum of Modern Art
San Jose Museum of Art
The Society for Arts and Technology [SAT], Montreal
Collection of the Tempe Arizona Public Art Program
US General Services Administration, Denver
University of California, San Francisco
Whitney Museum of American Art, New York
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COMMISSIONS
2010-20 Werner Klotz & Jim Campbell Reflecting Ribbon, The New San Francisco Central Subway, Union Square Market Station
2019 Fragmented Windows, Tenderloin Neighborhood Development Corporation, San Francisco, CA
2018 Day for Night, Salesforce Tower, San Francisco, CA
2016 Jacob’s Dream: A Luminous Path, Grace Cathedral, San Francisco, CA, with Benjamin Bergery
2015 Swirl, Cowles Commons, Des Moines, IA
2014 8 ½ x 11, Union Depot, St. Paul, MN
2010-13 The Journey, San Diego County Regional Airport Authority, San Diego International Airport, San Diego, CA
2013 Exploded View (Dallas Cowboys), The Art Collection, Dallas Cowboys Stadium, Arlington, TX
2012 Constellation, Alonzo King LINES Ballet, San Francisco, CA
2010-11 San Francisco Arts Commission, Urban Reflection, Lights on Market ARTery Project, San Francisco, CA
Madison Square Park Conservancy, New York
2009 Sotto Voce, St. Sulpice Cathedral, Paris, with Benjamin Bergery
2006 Annonciation / Annunciation, St. Sulpice Cathedral, Paris, with Benjamin Bergery
Gait Studies in Low Resolution, "Spots" Light- and Media-Façade, Berlin
2005 Ocean Mirror, University of California San Francisco
Wave Map, Byron Rogers Federal Courthouse, Denver
2002 Primal Graphics, Creative Time, Battery Park, New York
2001 168 Light Bulbs,Wood Street Galleries, Pittsburgh
Set design for ODC Dance Troupe, San Francisco
Building Memory,Westside Center, Tempe, AZ; Tempe Arts Commission 1% for Arts Program
White Circle, Highlights Festival, Montreal
1998 Untitled (with Eliott Anderson), San Francisco ArtsCommission 1% for Art Program
1995 LAC Project, Montreaux, Switzerland, with Su-Chen Hung
1992 Ruins of Light, America West Sports Arena, Phoenix, AZ; Phoenix Arts Commission 1% for Art Program
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Selected Professional Activities & Awards
2012 13th Annual Bay Area Treasure Award, San Francisco Museum of Modern Art
Arts & Letters Award, American Academy of Arts & Letters, New York
2003-2004 Guggenheim Fellowship Award
2002-2003 Langlois Foundation Grant, Montreal, Quebec
2000 NEA Selection Panelist for Museum Grants
2000 Langlois Foundation Grant, Montreal, Quebec
2000 Ars Electronica, Linz, Austria Honorable Mention: Interactive Art
1999-2000 Rockefeller Foundation Fellowship Award in Multimedia
1999-2001 Eureka Fellowship Award, Fleishhaker Foundation
1998 Ars Electronica, Linz, Austria Honorable Mention: Interactive Art
1996 Lecture Museum of Modern Art N.Y.
SECA Award, San Francisco
1993-1997 Artists Advisory Panel
Yerba Buena Center for the Arts, San Francisco
1994 Phoenix Arts Commission Selection Jurist for the new
Arizona Science Center Public Art Project
"Artists in Color in the Shadows Show" panel member at
California College of Arts & Crafts.
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